Deni Magomadow
Editing and sound design
Editing and sound design at Syntax Motion. Deni joined us permanently from freelance work. He does the part that turns single shots into a film.
Book a first callWhat he is responsible for
Generated shots arrive one at a time and silent. Each comes out of its own computation, and that is exactly what you see and hear when nobody brings them together. Deni's work is that bringing together: rhythm in the edit, colour correction across all the shots, and a sound design that creates credibility without anyone noticing it.
Then the versions: the same story in 16:9 for the website, in 9:16 for Reels, as a six-second teaser and with subtitles, because most videos in the feed start muted.
When you speak to him
- Rough cut: the fourth approval point. It is the first time you can see whether the story holds.
- Final polish: revision rounds on edit, colour and sound before delivery.
What he works with
Editing and colour in house, Soundly and Artlist for sound and music, both licensed. Which track sits in your film under which licence is recorded per project, so you can use the film in paid advertising without having to ask.
Frequently asked questions
When do I first see a continuous film?
At the rough cut, the fourth approval point. Order and length are fixed then, colour and sound are not. That is deliberate, see rough cut.
How many revision rounds are included?
Two in the fixed price, further ones by effort. What is included is stated in the offer.
Do we get the music licence documented?
Yes, per project with title, provider and scope. That is the difference between a film you may run in paid advertising and one where you have to ask first.
Topics he is responsible for
Each of these pages carries his name as the person accountable for the subject.
Read on: The whole team • Post-production • Pricing
How many versions do you need?
Formats, lengths and languages are settled before production, which is when they cost the least.
Book a first call